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Peripheries

Exhibition showcasing the work of our VICE 2021 and 2022 artists, curated by Tzy Jiun Tan, Ethan David Lee, and Kevin Ke

About the Exhibition

Periphery

/pɪˈrɪf(ə)ri/

noun, plural pe·riph·er·ies.

The outer limits of an object, or place, or medium. Where liquid turns to gas. Where categories start to fail. Where the abstract starts to turn concrete. Something usually overlooked. Something hush-hushed. A source of friction. An exile of man-made borders.

Peripheries is a collection of artworks created by artists collaborating remotely, across eleven different countries, over the course of two years. The exhibition explores the tensions between intimacy and alienation, the personal and geographical, as well as real and enacted realities. Using a combination of mediums, including photography, poetry, video, game design, and augmented reality, the artists embrace the cross-border, digital nature of their collaboration to interrogate location, language, and identity. 

The creative process is as important as the final product, as artists find ways to weave familiar and new mediums together in collaboration. How does the consumption of fast-paced media morph our memory and reality? In an increasingly interconnected and destabilized world, how might we navigate unlimited choices, endless possibilities, and desperate unknowns? How can we take ownership of and value our subjectivity, when we live in societies so insistent on speed and productivity?

Produced and curated by Exit 11 as part of the Virtual Collaborative Program for Emerging Artists (VICE), this collection of works emerged from an experiment on community-making in the digital space. This exhibition showcases works from the first two years of the program.  Peripheries is a culmination of Exit 11’s ongoing mission to make art-making an empowering process, especially for emerging artists interested in the cross-pollination of mediums and international collaboration.

Peripheries
Curated by Tzy Jiun Tan, Ethan David Lee, and Kevin Ke
 
Date: January 27 – 29, 2022
Location: Temporary Arts Center
Address: Vonderweg 1, 5611 BK Eindhoven, Netherlands 

Exhibition Photographs

Artworks

Leandro Reyes (b. 1991)

Nada Almosa (b. 1999)

photosynesthesia, 2022

Print, vinyl

An exchange of art after art. The artists responded to each others’ photographs with a photograph of their own. After ten exchanges, they created ekphrastic poems for the photos collected. photosynesthesia is a study on flow and free flow, that for as long as there was art, there is art and there will be art.

Fatima Al Romaithi (b. 1993)

Lillian Deja Snortland (b. 1996)

Know When to Hold ‘Em; Know When to Fold ‘Em, 2021

Poetry, graphite on paper

In this safe space, Lillie and Fatima define and approach their vulnerabilities. It can mean something different for everyone. For Lillie, it means changing and being changed, both physically and emotionally. For Fatima, vulnerability is emotional risk, exposure, and uncertainty. These vulnerabilities bore a poem from Lillie called ‘The Agreeable Woman,’ a personal allegory about a woman who folds herself over and over again to please others and be intimate. Fatima responded with two portraits to visually interpret, and expose, the sentiments she identified in the poem.

Lyla J. Kim (b. 2001)

Alexis Javerol (b. 1997)

Scheele’s Green, 2022

Digital interactive fiction

Scheele’s Green is an interactive fiction which contains multiple endings, based on the player’s choices. The intertwined storylines explore the subjectivity of a young person living in our modern, capitalist society. Plagued by self-destructive tendencies and confusion, the main character goes on a journey to transform herself.

Cindy Chehab (b. 2001)

Serena Arnita (b. 2001)

On the fringes of a burning memory, 2022

Video art

On the fringes of a burning memory is a hauntological, audiovisual exploration into memory, space, and time. Evoking our excessive consumption of images on social media, the piece presents slivers of permanent liminality, through parallel snapshots of the artists’ daily life in two cities: Abu Dhabi and Nicosia.

Anatomy of Perception - VICE '21

Dominika Jezewska (b. 1993)

Israa Mahmood Al Balushi (b. 1996)

The Anatomy of Perception, 2021

AR, photography, freehand VR drawing

The Anatomy of Perception is an AR installation exploring the fragility of reality through the medium of augmented reality. It is an interpretation of a dreamworld in real life, articulating a state of dreaming, while staged in your current surroundings. This installation urges you to be present in the space, even though it is not physically there.
Anatomy of Perception - VICE '21

Support Our Artists

Here at Exit 11, we rely on donations and patrons to continue developing our projects. All funds go directly to our collaborators, equipment purchases, and administrative expenses. If you like our work, please consider supporting the company by joining our Patreon or buying us a coffee on Ko-fi. Alternatively, we also accept donations via PayPal, debit, or credit card in USD, EUR, and GBP. Any amount helps!

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